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Jen Richardson-Greene

1450 N Prescott St
Portland, OR, 97217
(971) 313-1251
Sculpture

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Jen Richardson-Greene

  • Curatorial
  • Documents
  • Portfolio
    • Sculpture
    • Documented objects
    • Site works, Actions, & Video
  • Teaching
Linger for My Sister

Sculpture

Like the body, my sculptures are vulnerable to time; they sweat, bleed, feed scratch, pump, break down, retain and transform. An amputated dining table regenerates around its copper gilded stumps. A bed frame cast entirely out of dust defiantly stands perspiring against the wall. Porcelain pillows peacefully glow with light on oil, as the viewer controls the incessant churning of the slip pump, a near death state when someone is waiting to see a missing relative before they pass on. Subjected to faint yet ceaseless erosion, all these works exhibit unexpected strength, perseverance, and resistance.

Sculpture

Like the body, my sculptures are vulnerable to time; they sweat, bleed, feed scratch, pump, break down, retain and transform. An amputated dining table regenerates around its copper gilded stumps. A bed frame cast entirely out of dust defiantly stands perspiring against the wall. Porcelain pillows peacefully glow with light on oil, as the viewer controls the incessant churning of the slip pump, a near death state when someone is waiting to see a missing relative before they pass on. Subjected to faint yet ceaseless erosion, all these works exhibit unexpected strength, perseverance, and resistance.

Linger for My Sister

Linger for My Sister

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Bone Dry

Bone Dry

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Dining table

Dining table

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Population 163 (w motors and audio)

Population 163 (w motors and audio)

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Stationary

Stationary

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The Contortionist Series (the Contortionist keeps warm)

The Contortionist Series (the Contortionist keeps warm)

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Pond with Baskets

Pond with Baskets

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